Bilge Ebiri

 

Bilge Ebiri is the principal film critic at the Village Voice. Ebiri's work also appears in the publications of the Voice’s film partner, Voice Media Group: LA Weekly, Denver Westword, Phoenix New Times, Miami New Times, Broward-Palm Beach New Times, Houston Press and Dallas Observer.

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  • 1 day ago | Film Reviews

    There is a better, more touching movie hidden somewhere inside The Only Living Boy in New York, and you can often see it creeping in around the edges. It’s not to be found in the somewhat empty coming-of-age narrative at the film’s center, which f...

  • There is a better, more touching movie hidden somewhere inside The Only Living Boy in New York, and you can often see it creeping in around the edges. It's not to be found in the somewhat empty coming-of-age narrative at the film's center,...

  • 3 days ago | Film Reviews

    Taylor Sheridan isn’t afraid to embrace genre. His Wind River plays more like an unusually well-made episode of CSI: Wyoming than the highly anticipated directorial effort from the screenwriter of Hell or High Water (which may well have been last ...

  • Taylor Sheridan isn't afraid to embrace genre. His Wind River plays more like an unusually well-made episode of CSI: Wyoming than it does the highly anticipated directorial effort by the screenwriter of Hell or High Water...

  • I sincerely hope that there's a five-hour cut of Kathryn Bigelow's Detroit somewhere, but the version that we have right now -- a messy, troubling beast clocking in at around 150 minutes -- is riveting in its own way. Again working with...

  • 19 days ago | Film Reviews

    At 5 p.m. Thursday, I became one of the first people in this country to see The Emoji Movie a second time. (Aside, obviously, from the folks who made it — though I’m not entirely sure that some of them actually bothered to see it all the way throu...

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